QUANTUM LENS is an immersive Mixed Reality artwork exploring quantum technologies in three chapters:
01. Quantum Entanglement
02. Quantum Probability
03. Quantum Tunneling
These three unusual quantum phenomena cannot be witnessed with the naked eye – by using the Mixed Reality as a symbolic lens, QUANTUM LENS aims to open a window to the unseen.
Created in collaboration with leading quantum scientists across the UK, this six-month art & science collaboration invites the public to poetically experience three virtual sculptures alongside immersive film – bridging quantum science, data, storytelling, and immersive art.
Commissioned as part of the International Year of Quantum Science and Technology 2025, the new work has been commissioned for the public exhibition “Cosmic Titans: Art, Science, and the Quantum Universe” at Lakesidearts in Nottingham.
What if we could perceive our surroundings through the lens of quantum physics?
Quantum Lens explores the quantum realm, where subatomic particles defy classical laws of physics. Using a Mixed Reality headset as a symbolic “Quantum Lens”, Studio Above&Below creates an immersive experience that unfolds in three chapters, each poetically interpreting a key quantum principle and its technological applications, giving visual expression to the bizarre world of quantum physics.
Each chapter begins with an introductory video before transitioning into an interactive experiential sculpture. The poetic narratives invite audiences to explore the smallest realms of reality as well the far-reaching implications of quantum physics for society and our technological landscape, while emphasising the responsibility to understand and shape its impact.
Chapter 1: Entanglement
When two quantum particles interact, they become inseparably linked, sharing a unified state, regardless of distance—even across galaxies. Einstein called this “spooky action at a distance.” This principle drives technologies like quantum imaging, where entangled photons create images without the imaging device directly observing the object. The Mixed Reality experience brings entanglement to life through artistic representations. Two coupled windows frame the visitor wearing the headset, connected by shifting and dancing forms that symbolise entangled particles, where the properties in one mirror the opposite properties in the other.
Chapter 2: Quantum Probability
Unlike classical physics, quantum physics reveals a world of uncertainty. Particles do not have a single, definite position, but exist in a “cloud” of probabilities, only gaining a definite position when observed. This principle underpins quantum cryptography, which offers unbreakable security. The Mixed Reality sculpture represents this concept through a cloud of possibilities that mimic probability densities. The user is invited to use their hand as a lens to locate where a particle “collapses” into existence.
Chapter 3: Quantum Tunnelling
Quantum particles can pass through barriers that, according to the laws of classical physics, they shouldn’t thanks to their probability waves that extend beyond the barrier. This means that even if a particle doesn’t have enough energy to pass through a barrier, classically, there is still a chance it can “tunnel” through to the other side. This phenomenon enables technologies like scanning tunnelling microscopy, which maps surfaces at the atomic level. The Mixed Reality experience sculpture enables an intuitive understanding of this principle. It represents particles — using cloth-dynamics as its artistic language to capture their wave-like nature – tunnelling through a barrier, including the bodies of visitors interacting with the phenomenon.
Part of the International Year of Quantum Science and Technology 2025
Nottingham University
Prof. Silke Steinfurtner (@gravity_laboratory)
Curated by:
Dr. Ulrike Kuchner
Prof. Silke Steinfurtner
Prof. Helen Kennedy (Virtual And Immersive Production Studio)
– Apple visionOS
– Xcode, Swift, RealityKit, Reality Composer Pro, Dolby Atmos
– Cinema 4D
– Octane Render, Redshift
– DaVinci Studio
Concept&Development: Studio Above&Below
Technical Development & Programming: Studio Above&Below
Sound design: Einar Fehrholz
CGI support: Axel Schotermann
Executive Production: Virtual And Immersive Production Studio, University of Nottingham
Production support: Rachel Ramchurn, Andrew Booker
Curation: Dr. Ulrike Kuchner , Prof. Silke Weinfurtner, Neil Walker, Prof. Helen Kennedy
Documentation Staging Support: Wenxin Zhang, Hollie Wistow
2025